Rental ID: RED_GEMINI_5K_RENTAL
Panny Hire, once again brings our customers the groundbreaking latest RED Gemini 5K camera rental in Los Angeles, Hollywood, Burbank, LA and USA nationwide.
With high performance RAW video recording in a DSMC2 Brain, the RED GEMINI 5K S35 Sensor is designed to be built up the way you need.
The Gemini features the ability to switch between dual native ISO sensitivities (800 ISO and 3200 ISO). This means the camera can perform in both normal and low-light conditions without any loss in quality and without any increased noise, yes 3200 ISO with zero noise! Highlights and excessive noise are a thing of the past with RED’s new sensor technology.
We also have the perfect lens to partner the RED Gemini; the Leica Noctilux 50mm T0.95 on a PL Mount, custom rehouse by TLS – True Lens Services.
We can supply the Gemini with PL or EF lens mount, Titanium and PL Motion Mount (additional).
Supplied with the new MINI-MAG system as standard, which enables faster shooting with lower REDCODE compression. Also bundled with plenty of 512GB MINI-MAG SSD’s and a USB 3.0 MINI-MAG SSD reader for super-fast footage transfer! Double the speed of regular REDMAG’s!
“While the GEMINI sensor was developed for low-light conditions in outer space, we quickly saw there was so much more to this sensor,” says Jarred Land, President of RED Digital Cinema. “In fact, we loved the potential of this sensor so much, we wanted to evolve it to make it have a broader appeal. As a result, the EPIC-W GEMINI now sports dual-sensitivity modes. It still has the low-light performance mode, but also has a default, standard mode that allows you to shoot in brighter conditions.”
NEW and IMPROVED:-
SENSOR TYPE | GEMINI 15.4 Megapixel Dual Sensitivity CMOS (Native ISO 800 & 3200)
|
EFFECTIVE PIXELS |
5120 × 3000
|
SENSOR SIZE | 30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
|
DYNAMIC RANGE |
16.5+ stops
|
SIGNAL-TO-NOISE-RATIO | 80 dB
|
MAX DATA RATES |
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
|
MAX FRAME RATES |
75 fps at 5K Full Height 1.7:1 (5120 × 3000) 96 fps at 5K Full Format (5120 × 2700) 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160) 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620) 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080) 300 fps at 2K 2.4:1 (2048 × 864) |
PLAYBACK FRAME RATES |
23.98, 24, 25, 29.97,47.95, 48, 50, 59.94, 60 fps, all resolutions
|
REDCODE SETTINGS |
3:1 REDCODE at 5K Full Height(5120 × 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps |
REDCODE RAW ACQUISITION FORMATS |
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
APPLE PRORES |
422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps |